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The Belize Ceramics Exhibit

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Belize Maya Early Classic Period
Tripod plate with rattle supports
Maya, Early Classic period, A.D. 500–600
 

Belize or Mexico, Maya Lowlands
8.6 x 44.5 cm (3 3/8 x 17 1/2 in.)
Earthenware: red and black on orange slip paint
 

Basal-flanged plate with narrative scene depicting two standing male figures. The figure on the left holds a decapitated human head by its long hair, and three jadeite belt plaques are suspended below the head. The figure on the right stands in a dance pose and wears an elaborate feathered back ornament. Two hieroglyphs between the two figures have been repainted in modern times, and the black outlines of the figures also have been in-painted. The interior wall of the plate is embellished with a U-shaped iconographic element that resembles a typical flat-roofed Classic period building. The exterior wall is decorated with an abstract renderings of a saurian, perhaps with waterlily associations. Three hollow supports contain ceramic pellets that produce a rattling sound.

Museum of Fine Arts, Boston

 

Belize Maya Late Classic Period
Vase with appliqued snakes
Maya, Late Classic period, A.D. 550–850
 

Belize
15.2 x 17.2 cm (6 x 6 3/4 in.)
Earthenware: unslipped and burnished, traces of white pigment
 

The body of this jar is embellished with small irregular globs of clay, unslipped and unsmoothed. Within this rough clay matrix are two modeled serpents with smoothly burnished bodies, the visual effect resembling snakes slithering within loosen or tilled soil. The vessel is uncharacteristically heavy in weight due to the clay matrix added to the vase's surface and its unusually thick bottom and tall ring base.

Museum of Fine Arts, Boston

 
Tall bowl
Maya, Late Classic period, A.D. 650–750
 

Place of Manufacture: northern Belize
12.8 x 13.4 cm (5 1/16 x 5 1/4 in.)
Earthenware: red, gray (originally green), and black on orange ground
 

The narrative scene renders an enema-taking ritual by three male humans. Two kneeling figures insert into their anuses the nozzle of an enema bag, and the third seated figure has tucked the bag into the back of his loin cloth.

Museum of Fine Arts, Boston

 

Belize Post Classic Period
Human effigy incense burner or cache vessel
Maya, Postclassic period, A.D. 1250–1500
 

Belize
75.5 x 44 x 42 cm (29 3/4 x 17 5/16 x 16 9/16 in.)
Earthenware: white post-fire paint
 

A large, circular container or urn with tall annular base is embellished with a modeled rendering of a standing male figure. He wears a long tunic and loincloth, a wide collar with three disk ornaments and a large pendant hanging below the collar, and sandals with tall backs and tie-ends at the front. He also wears large, circular earflares and a curvilinear adornment on his nose bridge. His headdress has side flaps that extend over his shoulders and onto his back, the front of which is modeled in the form of a zoomorphic head with pointed snout. Two vertical lines of spikes on the sides of the container resemble the typical decorated flanges found on burial urns from the southern Guatemalan highlands. The urn contains approximately 50 small pieces (average size 1.5 x 3 cm) of dessicated copal incense covered with the same post-fire white paint as that on the vessel's exterior surface.

Museum of Fine Arts, Boston

 
 
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An Ancient America Archaeology Site Published by McGuinnessPublishing
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